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504b9941ab
| Author | SHA1 | Date | |
|---|---|---|---|
| 504b9941ab |
+1
-4
@@ -1,6 +1,3 @@
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[submodule "lilypond-common-includes"]
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path = lilypond-common-includes
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url = ssh://git@git.zahlenlabyrinth.de:9922/Notenbund/lilypond-common-includes.git
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[submodule "lilypond-song-includes"]
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path = lilypond-song-includes
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url = ssh://git@git.zahlenlabyrinth.de:9922/Notenbund/lilypond-song-includes.git
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url = https://git.zahlenlabyrinth.de/boernel/lilypond-common-includes
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@@ -1,14 +0,0 @@
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\version "2.25.27"
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\include "../../lilypond-custom-includes/base_config.ily"
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\include "../../lilypond-song-includes/liedbausteine/00_vorlage_light.ly"
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HEADER = \bookpart {
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\header {
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\basicSongInfo
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%infotext = ""
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categories = ""
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}
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}
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\include "public_includes/layout_bottom.ily"
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@@ -1,6 +1,6 @@
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\version "2.25.8"
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\include "../../lilypond-custom-includes/base_config.ily"
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\include "../../lilypond-custom-includes/base_config.ly"
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#(set! paper-alist (cons '("testformat" . (cons (* 176 mm) (* 15 mm))) paper-alist))
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\paper {
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@@ -0,0 +1,93 @@
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\version "2.25.8"
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%songStyle = #'büdel
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\include "../../lilypond-custom-includes/base_config.ly"
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\include "../../lilypond-song-includes/liedbausteine/sandbox.ly"
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HEADER = \bookpart {
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\paper {
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%page-count = #1 % dieser Befehl quetscht alles auf diese Seitenanzahl
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%markup-system-spacing.padding = 4 %Abstand zwischen Titel und Noten
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%top-system-spacing.padding = 6 %Abstand zwischen Seitenrand und obersten Notensystem (wenn was anderes da steht wie z.B. Titel/ Text, greift das nicht) gut um z.B. noten auf der zweiten Seite runter zu machen
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#(layout-set-staff-size 13) %Größe ändern
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}
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\header {
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\basicSongInfo
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titlesize = 11
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titletopspace = 2
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categories = "see"
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}
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}
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\transposeGlobal d e
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MUSIC =
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{
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<<
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\songChords
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\new ChoirStaff = "firstStaff"
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<<
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\new Voice = "firstVoice" { << \firstVoice { s4 \repeat unfold 4 { s1 } \break } >> }
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\addlyrics { \firstVerse }
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\addlyrics { \secondVerse }
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>>
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>>
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}
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TEXT = \markuplist
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{
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%\fontsize #-1 %Text in den Strophen kleiner
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%\vspace #1.5 %Abstand zwischen Strophen
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\group-verses {
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\override #'(verse-vspace . 0.8) %abstand der Verse voneinander kleiner
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\chordverse #(stanza 3) \thirdVerseMarkup
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\nochordverse \ref \fourthVerseMarkup
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}
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\group-verses {
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\vspace #5
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\nochordverse #(stanza 5) \fifthVerseMarkup
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\nochordverse #(stanza 6) \sixthVerseMarkup
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\nochordverse #(stanza 7) \seventhVerseMarkup
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}
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\override #'(verse-cols . 2) %Spalten
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%\override #'(verse-ordering-horizontal . #t) % Verse horizontal fortlaufend anordnen
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% \override #'(verse-hspace . -5) %Abstand zwischen Spalten geringer
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%\translate #'(2 . 0) %das nächste was er printed, printed er nicht dahin wo es eigentlich hinkommt sondern verschiebt es um (x.y)
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\group-verses {
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\override #`(verse-break-voice . ,#{ s4 \repeat unfold 2 { s1 } \break #})
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\chordlyrics \secondVerse
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\chordverse #(stanza 8) \columnVerseMarkup
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\chordverse #(stanza 9) \columnVerseMarkup
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\override #'(intraverse-vspace . 3) % Abstand der Zeilen eines Verses vergrößern
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\chordverse #(stanza 10) \columnVerseMarkup
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\chordverse #"XI." \columnVerseMarkup
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\override #'(custom-verse-breaks "Strophen" "auch" "krass")
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\chordverse #(stanza 11) \columnVerseMarkup
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}
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\group-verses {
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%\override #'(baseline-skip . 1) %Damit verändert man den Abstand der Notenzeilen
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\bridgeverse
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\chordverse #""
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#"(,\\repeats-around-chords { a:m c } d)"
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\score {
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\chords { \repeats-around-chords { a4:m c } d }
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\layout { \generalLayout }
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}
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}
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\fret-chord #"x;2;4;4;4;o;" #"h:1.3.5.11"
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}
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\include "../../lilypond-common-includes/standalone_output.ly"
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@@ -0,0 +1,14 @@
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\version "2.25.8"
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\include "../../lilypond-custom-includes/base_config.ly"
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\include "../../lilypond-song-includes/liedbausteine/sandbox.ly"
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HEADER = \bookpart {
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\header {
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\basicSongInfo
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%infotext = ""
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categories = ""
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}
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}
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\include "../../lilypond-common-includes/standalone_output.ly"
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@@ -0,0 +1,37 @@
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\version "2.25.8"
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\include "../../lilypond-custom-includes/base_config.ly"
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\include "../../lilypond-song-includes/liedbausteine/sandbox.ly"
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HEADER = \bookpart {
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\header {
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\basicSongInfo
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categories = ""
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infotext = ""
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}
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}
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breakVoice = \relative c' {
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s1 \break
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}
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MUSIC = {
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<<
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\songChords
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\new Staff = "firstStaff"
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<<
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\new Voice = "firstVoice" { \melodyVoice }
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\addlyrics { \firstVerse \refLyrics }
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%\new Voice { \breakVoice }
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>>
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>>
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}
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TEXT = \markuplist {
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\group-verses {
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\override #'(custom-verse-breaks "" "")
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\chordverse #(stanza 3) \thirdVerseMarkup
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}
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}
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\include "../../lilypond-common-includes/standalone_output.ly"
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@@ -1,4 +1,4 @@
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\version "2.26.0"
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\version "2.18"
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% point and click blows up the pdf
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\pointAndClickOff
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@@ -6,8 +6,9 @@
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imagePagePath = "categories"
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songPath = "../../lieder"
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\include "../../lilypond-custom-includes/base_config.ily"
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\include "public_includes/book_top.ily"
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\include "../../lilypond-custom-includes/base_config.ly"
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\include "../../lilypond-common-includes/book_include.ly"
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\include "../../lilypond-common-includes/toc_include.ly"
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% Brauchen wir jedes Lied als Einzelausgabe mit Midi und PDF?
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#(define noStandaloneOutput #t)
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@@ -15,9 +16,9 @@ songPath = "../../lieder"
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%Liedteil -> hier werden alle Lieder inkludiert
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%Reihenfolge im Liederbuch: Von oben nach unten
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\blankpage
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\includeSong "00vorlage_light"
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\includeSong "vorlage_light"
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\imagepage #125 "see.eps"
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%}
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%Zur Übersichtlichkeit:
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%A
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%B
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@@ -58,14 +59,16 @@ songPath = "../../lieder"
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pdfkeywords = "Liederbuch, Pfadfinder, bündisch"
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}
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\paper {
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first-page-number = 1
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}
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%Eine Seite mit dem Cover könnte so aussehen:
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\bookpart {
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\markup {
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%\epsfile #X #120 #"images/front.eps"
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%\fill-line { \center-column { \vspace #1 \pad-x #9 \customEps #95 #"Dateiname.dt" \vspace #1 } }
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\title-to-pdf-toc "Titelseite"
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}
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\paper {
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print-page-number = ##f
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first-page-number = 1
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inner-margin = 0
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outer-margin = 0
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binding-offset = 0
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@@ -74,12 +77,6 @@ songPath = "../../lieder"
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last-bottom-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 0))
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page-count = 1
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}
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\markup {
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\title-to-pdf-toc "Titelseite"
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" "
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%\epsfile #X #120 #"images/front.eps"
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%\fill-line { \center-column { \vspace #1 \pad-x #9 \customEps #95 #"Dateiname.dt" \vspace #1 } }
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}
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}
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% Seite
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@@ -95,7 +92,7 @@ songPath = "../../lieder"
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\left-column {
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\justify-string #"
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Hier steht lustiger Text"
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" "
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" "
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\fill-line { "blublub" }
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}
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}
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@@ -130,33 +127,33 @@ Hier steht lustiger Text"
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% Inhaltsverzeichnis
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\bookpart {
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\indexSection #"A" \markup { "A" }
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\indexSection #"B" \markup { "B" }
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\indexSection #"C" \markup { "C" }
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\indexSection #"D" \markup { "D" }
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\indexSection #"E" \markup { "E" }
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\indexSection #"F" \markup { "F" }
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\indexSection #"G" \markup { "G" }
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\indexSection #"H" \markup { "H" }
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\indexSection #"I" \markup { "I" }
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\indexSection #"J" \markup { "J" }
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\indexSection #"K" \markup { "K" }
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\indexSection #"L" \markup { "L" }
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\indexSection #"M" \markup { "M" }
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\indexSection #"N" \markup { "N" }
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\indexSection #"O" \markup { "O" }
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\indexSection #"P" \markup { "P" }
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\indexSection #"Q" \markup { "Q" }
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\indexSection #"R" \markup { "R" }
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\indexSection #"S" \markup { "S" }
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\indexSection #"T" \markup { "T" }
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\indexSection #"U" \markup { "U" }
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\indexSection #"V" \markup { "V" }
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\indexSection #"W" \markup { "W" }
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\indexSection #"X" \markup { "X" }
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\indexSection #"Y" \markup { "Y" }
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\indexSection #"Z" \markup { "Z" }
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\markuplist {
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\indexSection #"A" \markup { "A" }
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\indexSection #"B" \markup { "B" }
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\indexSection #"C" \markup { "C" }
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\indexSection #"D" \markup { "D" }
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\indexSection #"E" \markup { "E" }
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\indexSection #"F" \markup { "F" }
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\indexSection #"G" \markup { "G" }
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\indexSection #"H" \markup { "H" }
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\indexSection #"I" \markup { "I" }
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\indexSection #"J" \markup { "J" }
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\indexSection #"K" \markup { "K" }
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\indexSection #"L" \markup { "L" }
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\indexSection #"M" \markup { "M" }
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\indexSection #"N" \markup { "N" }
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\indexSection #"O" \markup { "O" }
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\indexSection #"P" \markup { "P" }
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\indexSection #"Q" \markup { "Q" }
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\indexSection #"R" \markup { "R" }
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\indexSection #"S" \markup { "S" }
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\indexSection #"T" \markup { "T" }
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\indexSection #"U" \markup { "U" }
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\indexSection #"V" \markup { "V" }
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\indexSection #"W" \markup { "W" }
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\indexSection #"X" \markup { "X" }
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\indexSection #"Y" \markup { "Y" }
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\indexSection #"Z" \markup { "Z" }
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\markuplist {
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\index-in-columns-with-title #'alphabetical \column {
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\title-to-pdf-toc "Inhaltsverzeichnis"
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\fontsize #5 \sans \bold \fill-line { \null "Inhaltsverzeichnis" \null }
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+1
-1
Submodule lilypond-common-includes updated: 92a129f346...9a9ef8e8df
@@ -1,14 +0,0 @@
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#(ly:set-option 'relative-includes #t)
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#(define include-path-unextended (if (defined? 'include-path-unextended) include-path-unextended #t))
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#(if include-path-unextended
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(let* ((custom-include-dir (dirname (current-filename)))
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(project-dir (dirname custom-include-dir))
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(pool-dir (string-append project-dir file-name-separator-string "lilypond-song-includes")))
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(ly:parser-append-to-include-path custom-include-dir)
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(ly:parser-append-to-include-path pool-dir))
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(set! include-path-unextended #f))
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customStyleOverridesFile = "custom_style_overrides.ily"
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\include "categories.ily"
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\include "../lilypond-common-includes/public_includes/layout_top.ily"
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@@ -0,0 +1,6 @@
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#(ly:set-option 'relative-includes #t)
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customStyleOverridesFile = "../lilypond-custom-includes/custom_style_overrides.ly"
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\include "categories.ly"
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\include "../lilypond-common-includes/general_include.ly"
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+1
-1
@@ -24,5 +24,5 @@ repStart = "𝄆"
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repStop = "𝄇"
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customChordPrintings = {
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<c g>-\markup { \super "4" }
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%<c g>-\markup { \super "5" }
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}
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Submodule lilypond-song-includes deleted from bd0897ee5c
@@ -0,0 +1,17 @@
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dude:
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birth_year: '1950'
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name: Krasser Dude
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organization: Bund der krassen Dudes
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trail_name: dud
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kumpel:
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death_year: '2050'
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name: Krasser Kumpel
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organization: Bund der krassen Kumpels
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trail_name: dudekumpel
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kumpelerbe:
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inherits: kumpel
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organization: Bund der crazy Kumpels
|
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nocheiner:
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death_year: '2050'
|
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name: Jemand anderes
|
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|
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@@ -0,0 +1,5 @@
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a-song-id:
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composer: kumpel
|
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poet: dude
|
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title: Krasse Vorlage
|
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|
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@@ -0,0 +1,177 @@
|
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\version "2.25.8"
|
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|
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\include "../../lilypond-common-includes/snippet_include.ly"
|
||||
|
||||
basicSongInfo = \header {
|
||||
title = "Liedtitel"
|
||||
alttitle = "Alternativtitel"
|
||||
authors = #'(
|
||||
("kumpel" melody)
|
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("dude" text composition))
|
||||
infotext = "
|
||||
Also zu der Sandbox gibts echt verdammt viel zu sagen, aber wär zu krass das hier alles reinzuschreiben. Zum Testen muss hier aber mal viel stehen, damit man das mit dem automatischen Zeilenumbruch gut sieht und das mit den Abständen gut debuggen kann.
|
||||
|
||||
Sogar manuelle Zeilenumbrüche gehen hier."
|
||||
copyright = "Fumpeverlag"
|
||||
translation = "sandkasten"
|
||||
pronunciation = "wie mans spricht halt"
|
||||
year_text = "2023"
|
||||
year_melody = "2012"
|
||||
}
|
||||
|
||||
global = {
|
||||
%Takt
|
||||
\time 4/4
|
||||
%Tonart
|
||||
\key c \major
|
||||
}
|
||||
|
||||
firstVerse = \lyricmode {
|
||||
\ref
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Hier \repeat unfold 6 { _ } ist der Text für Stro -- phe eins. \set ignoreMelismata = ##t \unset ignoreMelismata % Bindebögen irgnorieren
|
||||
}
|
||||
|
||||
refLyrics = \lyricmode {
|
||||
#(stanza 2)
|
||||
Mit _ ü -- ber -- springt man No -- ten. \markup { \bold { fett! krass } }
|
||||
"Mehrere Silben" auf ei -- ne No -- te. Me -- lis -- ma -- \set ignoreMelismata = ##t ta aus \unset ignoreMelismata und wieder an
|
||||
}
|
||||
|
||||
firstVoice = \relative c' {
|
||||
\global
|
||||
%\clef "bass" % Bassschlüssel
|
||||
\partial 4 % Auftakt
|
||||
a'4 % mit ' und , oktaviert man
|
||||
\repeat volta 2 { % Wiederholung
|
||||
d,4 e fis g
|
||||
a8 a (a) a d,4~d % Bindebögen
|
||||
<< { \voiceTwo
|
||||
g4. c,8 c4 d
|
||||
}
|
||||
\new Voice { \voiceOne \secondVoiceStyle
|
||||
g4. g8 g4 f
|
||||
}
|
||||
>> \oneVoice
|
||||
}
|
||||
\alternative { %Klammer eins und zwei
|
||||
{e2. a4}
|
||||
{e2. r4}
|
||||
}
|
||||
e1
|
||||
e1
|
||||
e2^\markup \bold "I. hier einsetzen!" (f)
|
||||
e1 \mark \markup { \italic { fine } }
|
||||
a1_\markup { \italic Zwischenspiel } a1
|
||||
\once \override Score.TimeSignature.stencil = ##f \time 2/4 %unsichtbarer Taktwechsel (ansonsten nur \time macht sichtbaren Taktwechsel)
|
||||
a2 <a c>2
|
||||
r2 \once \override Score.RehearsalMark.break-visibility = #end-of-line-visible
|
||||
\once \override Score.RehearsalMark.self-alignment-X = #RIGHT
|
||||
\mark "D.C. al Fine"
|
||||
|
||||
\bar "|."
|
||||
}
|
||||
|
||||
bridge = \relative c' {
|
||||
\global
|
||||
\time 3/4
|
||||
a4 h c a h c
|
||||
}
|
||||
|
||||
bridgeVerse = \lyricmode {
|
||||
\set stanza = "Bridge:"
|
||||
Das hier ist ei -- ne Bridge
|
||||
}
|
||||
|
||||
|
||||
verseChords = \chordmode {
|
||||
s4 d2 h:m fis:m b g1 \klamm{a2. d4} c1/h
|
||||
e \once \set chordChanges = ##f e %gleichbl. Akkord sichtbar machen
|
||||
h:1.3.5.11
|
||||
}
|
||||
|
||||
songChords = \chords { \verseChords }
|
||||
|
||||
bridgeChords = \chords { a2:m a:m a:m a:m }
|
||||
|
||||
thirdVerseMarkup =
|
||||
"Test (Akk,a:m)orde (ü,a:1.3.7+.9)ber den (Stro,d:m)phen (test)
|
||||
\\repStart sind (sup,e)er \\underline {(cpjl,a:m)} \\repStop
|
||||
und (sie,a:m) sind (jetzt,\\klamm{d:m}) auch (klam,\\klamm { d })mer(bar,\\klamm g)
|
||||
\\italic { hier i(s,fis)t mal was (kur,d:m)siv } – das k(lLA,g:m)pt (je,a)tzt"
|
||||
|
||||
fourthVerseMarkup =
|
||||
"Hier ist leider nicht genug (Platz,g)
|
||||
für (Akk,a:m)orde über den (Stro,d:m)phen
|
||||
\\repStart deswegen \\concat{ \\underline { wer } den } die hier mittels \\bold { nochordverse } automatisch
|
||||
entfernt! \\repStop"
|
||||
|
||||
fifthVerseMarkup =
|
||||
"Hier geht die 5. Strophe los, die zusammen mit der 6. und 7. auf
|
||||
eine Seite soll"
|
||||
|
||||
sixthVerseMarkup =
|
||||
"Strophen in einer \\concat{\\char ##x5C group-verses} Umgebung werden aneinander
|
||||
ausgerichtet und auf der Seite zentriert.
|
||||
Man beachte auch wie widerlich der Backslash
|
||||
vor group-verses eingegeben werden muss!
|
||||
Falls ihr mal runde (Klammern) braucht: \\concat{\\char ##x28 Klammer} auf und Klammer \\concat{zu \\char ##x29 }"
|
||||
|
||||
seventhVerseMarkup =
|
||||
"Wir achten bitte auch auf typografisch korrekte Zeichen.
|
||||
Ein deutsches Apostroph sieht so aus ’ und nicht so '
|
||||
Ein Gedankenstrich, wie er auch zur Trennung von Jahreszahlen
|
||||
genutzt wird ist so – und nicht so -
|
||||
Anführungszeichen sind so „ und so “"
|
||||
|
||||
columnVerseMarkup =
|
||||
"Stro(phen,a:m) können jetzt auch in (Spal,f)ten!
|
||||
Voll (krass,e) (eh,a:m)!"
|
||||
|
||||
BRIDGE =
|
||||
{
|
||||
<<
|
||||
\bridgeChords
|
||||
\new Voice { \bridge }
|
||||
\addlyrics { \bridgeVerse }
|
||||
>>
|
||||
}
|
||||
|
||||
bridgeverse = \markup {
|
||||
\score {
|
||||
\inline-score
|
||||
\BRIDGE
|
||||
\layout { \generalLayout }
|
||||
}
|
||||
}
|
||||
|
||||
melodyVoice = { \firstVoice }
|
||||
|
||||
MUSIC =
|
||||
{
|
||||
<<
|
||||
\songChords
|
||||
\new ChoirStaff = "firstStaff"
|
||||
<<
|
||||
\new Voice = "firstVoice" { \firstVoice }
|
||||
\addlyrics { \firstVerse }
|
||||
\addlyrics { \refLyrics }
|
||||
>>
|
||||
>>
|
||||
}
|
||||
|
||||
TEXT = \markuplist
|
||||
{
|
||||
\group-verses {
|
||||
\chordverse #(stanza 3) \thirdVerseMarkup
|
||||
\chordverse #(stanza 4) \fourthVerseMarkup
|
||||
\chordverse #(stanza 5) \fifthVerseMarkup
|
||||
}
|
||||
\group-verses {
|
||||
\chordverse #(stanza 6) \sixthVerseMarkup
|
||||
\chordverse #(stanza 7) \seventhVerseMarkup
|
||||
\chordverse #(stanza 8) \columnVerseMarkup
|
||||
\bridgeverse
|
||||
}
|
||||
}
|
||||
|
||||
\include "../../lilypond-common-includes/default_output.ly"
|
||||
Reference in New Issue
Block a user