lilypond-common-includes/chord_settings.ly

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% Akkorde können auch geklammert sein
#(define (parenthesis-ignatzek-chord-names in-pitches bass inversion context)
(markup #:line ( "(" (ignatzek-chord-names in-pitches bass inversion context) ")" )))
klamm = #(define-music-function (parser location chords) (ly:music?)
#{
\set chordNameFunction = #parenthesis-ignatzek-chord-names
$chords
\set chordNameFunction = #ignatzek-chord-names
#})
repeats-around-chords =
#(define-music-function (parser location chords) (ly:music?)
#{
\once \set noChordSymbol = \markup { \normal-text \repStart }
r4
$chords
\once \set noChordSymbol = \markup { \normal-text \repStop }
r4
#})
bchord =
#(define-music-function (parser location chords) (ly:music?)
#{
\override ChordName.font-series = #'bold
$chords
\revert ChordName.font-series
#})
shiftChord = #(define-music-function (parser location xshift chord) (number? ly:music?)
#{
\once \override ChordName.extra-offset = #`(,xshift . 0)
$chord
#})
shiftChords = #(define-music-function (parser location xshift chords) (number? ly:music?)
#{
\override ChordName.extra-offset = #`(,xshift . 0)
$chords
#})
altChord = #(define-music-function (parser location mainchord altchord) (ly:music? ly:music?)
(define (chord-namer in-pitches bass inversion context)
#{
\markup {
\translate #'(-0.5 . 0)
\score {
\chords { #mainchord \klamm #altchord }
\layout {
\LAYOUT
\context {
\ChordNames
\override ChordName.extra-spacing-width = #'(0 . 0.3)
}
\context {
\Score
\override SpacingSpanner.spacing-increment = 0
}
}
}
}
#})
#{
\once \set chordNameFunction = #chord-namer
#mainchord
#})
% kleine Mollakkorde und Alteration ausgeschrieben
#(define (note-name->german-markup-nosym pitch lowercase?)
(define (pitch-alteration-semitones pitch) (inexact->exact (round (* (ly:pitch-alteration pitch) 2))))
(define (accidental->markup alteration name)
(if (= alteration 0)
(make-line-markup (list empty-markup))
(if (= alteration FLAT)
(if (equal? name "B")
""
; (make-line-markup (list (make-hspace-markup 0.2)
; (make-tiny-markup (make-raise-markup 1.2
; (make-musicglyph-markup (assoc-get alteration standard-alteration-glyph-name-alist ""))))
; ))
(if (or (equal? name "E") (equal? name "A")) "s" "es"))
"is")
))
(define (conditional-string-downcase str condition)
(if condition (string-downcase str) str))
(let* ((name (ly:pitch-notename pitch))
(alt-semitones (pitch-alteration-semitones pitch))
(n-a (if (member (cons name alt-semitones) `((6 . -1) (6 . -2)))
(cons 7 (+ 0 alt-semitones))
(cons name alt-semitones))))
(make-line-markup
(list
(make-simple-markup
(conditional-string-downcase
(vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a))
lowercase?))
(accidental->markup (/ (cdr n-a) 2) (vector-ref #("C" "D" "E" "F" "G" "A" "H" "B") (car n-a)) ))))
)
% additional bass notes should get uppercased
#(define (bassnote-name->german-markup-nosym pitch lowercase?)(note-name->german-markup-nosym pitch #f))
#(define chordNameExceptions
(if (defined? 'customChordPrintings)
(sequential-music-to-chord-exceptions customChordPrintings #t)
'()))
generalLayout = \layout {
\generalLayout
\context {
\ChordNames
\semiGermanChords
\override ChordName.font-size = \songScoreChordFontSize
\override ChordName.font-series = \songChordFontSeries
\override ChordName.font-family = #'serif
chordNameLowercaseMinor = ##t
chordChanges = ##t
% eigenen chordRootNamer damit F# = Fis und Gb = Ges (also alteration ausgeschrieben)
chordRootNamer = #note-name->german-markup-nosym
chordNoteNamer = #bassnote-name->german-markup-nosym
majorSevenSymbol = "maj7"
chordNameExceptions = \chordNameExceptions
}
}
% Akkord mit Bunddiagramm anzeigen
#(define-markup-command (fret-chord layout props fret chord) (string? string?)
(interpret-markup layout props
#{ \markup { \override #'(baseline-skip . 2)
\center-column {
\score { \new ChordNames {
#(ly:parser-include-string (string-append "\\chordmode { s4 " chord " }"))
} \layout { \generalLayout } }
\override #'(fret-diagram-details . ((barre-type . straight))) {
\fret-diagram-terse #fret
}
}
}
#}))
% If you add this engraver to ChordNames Context chords get only printed on chordchanges and if its the first chord after line break.
Ensure_first_chord_after_line_break_printed_engraver =
#(lambda (ctx)
(define last-system-column-rank 0)
(make-engraver
(acknowledgers
((chord-name-interface this-engraver grob source-engraver)
(ly:grob-set-property! grob 'after-line-breaking
(lambda (grob)
(let ((current-system-column-rank (car (ly:grob-spanned-column-rank-interval (ly:grob-system grob)))))
(if (and
(ly:context-property ctx 'chordChanges #f)
(ly:grob-property grob 'begin-of-line-visible #f)
(not (= last-system-column-rank current-system-column-rank)))
; the current chord handling implementation in lilypond uses 'begin-of-line-visible to mark repeated chords
(ly:grob-set-property! grob 'begin-of-line-visible #f))
(set! last-system-column-rank current-system-column-rank)
(ly:chord-name::after-line-breaking grob)
)))))))
% If you add this engraver to ChordNames Context chords get only printed on chordchanges and not at newline.
Ignoring_newline_chord_changes_engraver =
#(lambda (ctx)
(make-engraver
(acknowledgers
((chord-name-interface this-engraver grob source-engraver)
(when (and (ly:context-property ctx 'chordChanges #f) (ly:grob-property grob 'begin-of-line-visible #f))
(ly:grob-suicide! grob)
)))))